Hungry Ghosts, by Kevin Jared Hosein (Ecco). In this novel, set in rural Trinidad in the nineteen-forties, the disappearance of a wealthy farmer upends carefully tended boundaries of class and identity. The farmer’s wife orders one of his employees, part of a community of indigent laborers on the village outskirts, to take over his duties. This man has always taught his family to be content with the status quo, even though he chafes at the limitations of his own life. But, as those with power make a game of his desire for a more expansive life—for sensual pleasure and land of his own—he finds himself increasingly at risk of forgetting what he has told his son about moths drawn to lamplight: “It is that hope that turns on them and gets them killed.”
The Weeds, by Katy Simpson Smith (Farrar, Straus & Giroux). Two women, living centuries apart, scour the Colosseum for plant samples in this lyrical, incisive novel. In 1854, one helps the botanist Richard Deakin (a historical figure) catalogue the amphitheatre’s flora; in 2018, the other assists an academic tracking the changes in its ecosystem since Deakin’s time. The twin narratives mimic field-work notebooks, with headings by family (Vitaceae, Gentianeae, Ambrosiaceae) and vivid illustrations. Gradually, the women’s fragmentary entries come to reveal a changing climate, the invisibility of women’s work, and the perseverance of unofficial histories. As Simpson Smith writes, “the weeds outlive the narrative.”
