Sunday, May 19, 2024
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pop music

Sinéad O’Connor Was Always Herself

The Irish musician Sinéad O’Connor died, on Wednesday, at the age of fifty-six, without having received adequate apologies from this society we inhabit,...

World Wide Gecs

One morning in late spring, I met up with Les and Brady in New York, where they had just arrived after spending the...

How Far Can Amapiano Go?

It was opening night at the Brooklyn Mirage, a seasonal rooftop night club in East Williamsburg. In the main area, about five thousand...

The Untouchable Tina Turner

On Wednesday, one of the great American voices—gritty, vehement, tender, and red-hot, containing, somehow, both the entire history and future of rock and...

Hayley Williams, Without a Guidebook

This month, Paramore—a buoyant and nimble pop-rock band fronted by the thirty-four-year-old singer and songwriter Hayley Williams—released “This Is Why,” its sixth album,...

In Taylor Swift’s “Midnights,” the Easter Eggs Aren’t the Point

It is wise not to read too deeply into thoughts that arrive at midnight—but try telling that to any self-respecting Taylor Swift fan....

How Sara Bareilles Evolved Beyond Being a Pop Star

“Love Song” made her famous and sent her out on the road. She played bigger and bigger venues for a few years, put...

Post Malone’s Languid Songs of Self-Loathing

Post Malone has spent his career wrangling an amalgamation of sights and sounds—trap, pop, white-guy cornrows, cowboy hats—into something resembling a coherent persona,...

Reasons to Abandon Spotify That Have Nothing to Do with Joe Rogan

It is good to see Spotify suffer, at least in the short term. The Swedish streaming service has fostered a music-distribution model that...

How Britney Spears Got Free, and What Comes Next

Britney Spears is free. Or, at the very least, after a courtroom resolution on Friday, Spears will be capable to avail herself of...

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